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      <image:title>Blog - Zimbabwe: Art, Symbol and Meaning Press mentions</image:title>
      <image:caption>Tonga sleeping hut on stilts, ngazi.</image:caption>
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      <image:caption>Gill Atherstone, Doreen Sibanda, Vote Thebe, National gallery of Zimbabwe, February 2020.</image:caption>
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      <image:title>Blog - The 12th Century Zimbabwe Bird stone sculptures back in the ruins of Great Zimbabwe, a symbolic statement to end the photographic work.</image:title>
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      <image:title>Blog - The 12th Century Zimbabwe Bird stone sculptures back in the ruins of Great Zimbabwe, a symbolic statement to end the photographic work.</image:title>
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      <image:title>Blog - To complete the book we will be photographing the architecture of this 13th-century site and some of the legendary Zimbabwe Birds in the ruins from which they were taken</image:title>
      <image:caption>The Great Enclosure, Great Zimbabwe ruins, 13th century.</image:caption>
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      <image:caption>Photographing in Mutoko, NE Zimbabwe : The central living spaces make for a natural photographic studio, with one main source of light - the door.</image:caption>
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      <image:title>Blog - Working with PK Chiunye, the authors colleague for over 30 years</image:title>
      <image:caption>The author Gillian Atherstone and PK Chiunye, a respected specialist of all aspects of Zimbabwean traditional art and culture</image:caption>
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      <image:title>Blog - Working with PK Chiunye, the authors colleague for over 30 years</image:title>
      <image:caption>Working with PK Chiunye, Shorai, Nelson and Lithan</image:caption>
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    <lastmod>2020-03-25</lastmod>
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      <image:title>Blog - First research field trip with our Mother, Gillian Atherstone, Buhera, 1983</image:title>
      <image:caption>Duncan and Craig Wylie, Buhera, Zimbabwe, 1983 (photo taken by Gillian Atherstone)</image:caption>
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      <image:title>Old Home</image:title>
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      <image:title>Home</image:title>
      <image:caption>Motifs in the weave of Zimbabwean gudza, textiles woven from bark, can be traced back to the 13th-century stone walls of Great Zimbabwe. These designs work as leitmotifs, appearing on many traditional artefacts from axes to ceremonial staffs. .</image:caption>
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      <image:caption>working on chapters Harare 2014</image:caption>
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      <image:title>About / Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>About / Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Contemporary Voices</image:title>
      <image:caption>Bernard Matemera, one of the major 1st generation Zimbabwean stone sculptors, at work, 1975</image:caption>
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      <image:caption>Portia Zvavahera, 2016, Embraced and protected in you, printing ink and oil bar on canvas, 210 x 400cm. Copyright the artist, courtesy Stevenson Gallery, Cape Town/Johannesburg</image:caption>
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      <image:title>The Books - Zimbabwe: Art, Symbol and Meaning</image:title>
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